How are patriarchal regimes perpetuated and reproduced? Kate Manne’s recent work on misogyny aims to provide an answer to this central question. According to her, misogyny is a property of social environments where women perceived as violating patriarchal norms are ‘kept down’ through hostile reactions coming from men, other women and social structures. In this paper, I argue that Manne’s approach is problematically incomplete. I do so by examining a recent puzzling social phenomenon which I call (post-)feminist backlash: the rise (...) of women-led movements reinstating patriarchal practices in the name of feminism. I focus on the example of ‘raunch feminist’ CAKE parties and argue that their pro-patriarchal dimension cannot be adequately explained by misogyny. I propose instead a different story that emphasizes the continued centrality of gender distinctions in our social normative life, even as gendered social meanings become increasingly contested. This triggers meaning vertigo, a distinct form of social anxiety and the reactionary impulse at the heart of (post)-feminist backlash. Meaning vertigo both complicates the answer to Manne’s main question—“why is misogyny still a thing?”—and suggests the need and opportunity for a different kind of feminist political intervention. (shrink)

In this chapter, Filipa Melo Lopes looks at incel violence, and argues that the two most common feminist analyses of their actions—their objectification of women or their sense of entitlement to women’s attention—are insufficient. They fail to account for incels’ distinctive ambivalence towards women, namely their oscillation between obsessive desire and violent hatred. Melo Lopes proposes instead that what incels want is a Beauvoirian ‘Other’—discussed by Beauvoir in her chapter on myths in terms of the ‘Eternal Feminine’. For Beauvoir, when (...) men conceive of women as Others, they function as sui generis entities through which men can experience themselves as praiseworthy heroes, but also risk the denial of their so-called exceptionality. Melo Lopes then goes on to give an illustrative analysis of Elliot Rodger’s autobiographical manifesto, My Twisted World, showing how Beauvoir’s analysis of the myth of woman sheds light on Rodger’s racist and classist attitudes and gives us a better understanding of his ambivalence towards women. Beauvoir, according to Melo Lopes, therefore constitutes a powerful and overlooked theoretical alternative to accounts centered on objectification and entitlement. (shrink)